One of several paintings he made of this contemporary event, expressed the official policy for the Greek cause in their war of independence against the Turks, war sustained by english, russian and french governments. Delacroix was quickly recognized by the authorities as a leading painter in the new Romantic style, and the picture was bought by the state.
If one intends something other than cameos, color is, strictly speaking, one of the founding principles of painting, no less so than chiaroscuro, proportion and perspective Color gives the appearance of life.
Like many artists, Delacroix could not escape the influence of Michelangelo. Delacroix intensely studied his modeling of figures and the life or death he brought to the canvas. During the latter part of his life, Delacroix was commissioned to paint several murals on the ceilings and walls of government buildings.
The intensity of his work, the violence, tragedy and sadness is said to have rivaled that of his role model. Delacroix also tried to exemplify the work of another master, Peter Paul Rubens.
Delacroix also drew significant inspiration from literature and authors such as Dante Alighieri Dante and Virgil in Hell and William Shakespeare. Delacroix developed a fascination with the work of English painters early on in his career.
He admired the work of John Constable, a landscapist, after viewing his exhibition in Paris in The luminous tonalities of Massacre at Chios can be traced back to Constable. Delacroix shared a studio in Paris with English painter Richard Bonington and was greatly influenced by his use of watercolors.
Legendary English landscapists J. Turner had an effect on Delacroix through his bright watercolors and energetically colored canvases. His trip abroad helped develop his technical skills and deepened his cultural education.
Sir Thomas Lawrence, a gifted portrait artist, also influenced the young artist. He was refreshed by a culture that was so vastly different to the French: Delacroix used Arab subjects in his work for the remainder of his life.
The music of Romantic composer Chopin is also said to have inspired Delacroix. He developed a friendship with the talented Polish composer and even painted his portrait.Painting: The Massacre at Chios by Eugène Delacroix () This painting, created in , was only the second major oil painting by the French artist Eugène Delacroix.
It deals with a massacre on the island of Chios in the Aegean sea, close to the Anatolian heartland of the Ottoman Empire. Indeed, Constable's landscapes are supposed to have influenced Delacroix's Massacre at Chios, shown in An immense canvas, almost 14 feet high, it was obviously designed to create an impression at the Salon.
His work Massacre at Chios, which displays the killing of 20, Greeks by Turks on the island of Chios is a perfect example of his maturation in style. At 27 Delacroix traveled to London, a trip inspired by his admiration for English landscape painters.
In , however, he exhibited at the Salon the Massacre at Chios, a large canvas depicting the dramatic contemporary massacre of Greeks by Turks on the island of Chios. The nature of his talent is evident in the unity he achieved in his expression of the haughty pride of the conquerors, the horror as well as despair of the innocent Greeks, and.
With this canvas, Delacroix takes his place as the leader of the Romantic school of painting. His palette has become considerably lighter since The Barque of Dante. He has acquired a freer manner, in which one can note the use of hatchings and a deeper knowledge of the reflection of light.
The Barque of Dante Oil on canvas, x cm Musée du Louvre, Paris: The Massacre at Chios Oil on canvas, x cm Musée du Louvre, Paris.